![]() ![]() Loverboy's hit singles, particularly " Turn Me Loose" and " Working for the Weekend", have become arena rock staples and are still heard on many classic rock and classic hits radio stations across Canada and the United States.Īfter being rejected by many American record labels, they signed with Columbia/CBS Records Canada and began recording their first album on March 20, 1980. That must give those who work for him a rallying, optimistic sense of fun and purpose, even as they put on a show warning of impending disaster.Loverboy is a Canadian rock band formed in 1979 in Calgary, Alberta. But he’s nevertheless a romantic, and a leader too. Charles Jeffrey is a responsibility-taker and a realist he didn’t hold back on acting out the doom he and his younger employees fear in this show. ![]() Traveling on to Glasgow, he studied Margaret Mackintosh’s arts and crafts flower drawings.īack to nature, again. Their influences permeated the mad Teddy Boy horse-mane quiffs, the leather harnesses, and the lines of pom-pom, heart-shaped embroideries. It’s a pageant that’s all about loving nature, amongst the rural families that live there.” The Horse Ceremony of Orkney involves ploughing contests and elaborate hand-crafted costumes. “I visited the Orkney islands and witnessed this pagan ceremony which has been going on for over 200 years. It was localism which circled him back to his Scottish roots for this collection. In a logistical way, too, it’s making sure that nothing transports too far, that fabrics are sourced nearby that our teams go out to the factories we use to make sure the standards are okay.” “It’s about making sure that with the people you hire, that you’re giving them opportunity and training them. Fun, bright Loverboy-fanboy sweaters and jersey polos.įor Jeffrey, it goes beyond choosing to use GOTS-certified cotton, cutting down on chemical processes, and using recyclable plastic in packaging. His waisted, puff-shouldered jackets, flared asymmetric suits, and tartan trousers have magnetic swagger, and he’s gathered in a put-together softness in flower-sprigged prints. Jeffrey has traversed that stage of his career where he’s presented generalized symbolic statements and reached a point where his tailoring fits impressively and sexily, starting with a teal all-in-one trompe l’oeil suit. What you see in these show pictures, shorn of surrounding context, is a clear view of his most accomplished, extensive setting out of his stall as a designer yet. Let’s leave the narratives aside for a minute. Another sect looked like a cult of eco-paganists clinging together in their own dance of lament. So it seemed, as his characters came and went, some dressed in costumes hung with horse brasses and sporting huge equine quiffs, others in Loverboy tartans, and still more in pannier dresses. There was an installation of a hollowed-out tree hung with CDs and topped by a disco ball silhouetted against the dark on a platform at the end of his runway-a place for the ritual propitiation of the ancient, abused forces of nature. “It was a modern-day Scottish sacrifice,” said Charles Jeffrey at the beginning of his show debrief. ![]()
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